Swedish director Lasse Hallstrom’s follow-up to the underrated Once Around earned far more attention than its predecessor thanks to the judicious casting of perennial thinking woman’s heartthrob Johnny Depp and a certain up-and-coming thespian by the name of Leonardo DiCaprio. A prisoner of his dysfunctional family’s broken dreams in tiny Endora, IA, Gilbert (Depp) serves as breadwinner and caretaker for his mother and siblings following his father’s suicide and his older brother’s defection. Momma (Darlene Cates) is a morbidly obese shut-in who hasn’t left the house in seven years; her children include retarded Arnie (DiCaprio), who’s about to turn 18 despite a host of negative medical forecasts, and terminally embarrassed Ellen (Mary Kate Schellhardt), who’s emerging from an awkward adolescence. When he’s not taking care of the difficult but tender Arnie, Gilbert spends his time fixing up the family’s tattered farmhouse, working at a failing mom-and-pop grocery store and hanging with local misfits Bobby (Crispin Glover), an overly ambitious junior undertaker, and Tucker (John C. Reilly), a handyman who hankers after a job at the new burger franchise. Into this complicated but essentially unchanging social universe steps Becky (Juliette Lewis), a thoughtful young woman who’s been escorting her nomadic grandmother from state to state in a mobile-home caravan.